ling women by Greenhouse plan as illustrated in the Post-Feminist Tamil Film 36 Vayadhinile

Document Type : Original Article

Authors

The IIS deemed to be University, Jaipur

10.52293/WES.2.4.912

Abstract

Post-feminism happened in the '80s, and it is a favorably discussed issue because the word “post” could be directed as “dead” or “after” feminism. Its objectives are various from second-wave and third-wave feminism. One of the major post-feminism objectives is that women could be equally empowered as men. For realizing this aim, women must be financially steady for running their families by themselves. In the start, the post-feminist creation concentrated very much on media. In the current strategy, there are considerable kinds of media obtainable. For this study aim, the investigators have selected one of the visual media, film, especially Tamil films. In this study, they try to investigate how women's empowerment via greenhouse plan is illustrated in the post-feminist Tamil film 36 Vayadhinile.

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References

Bolotin, Susan (1982), Voices from the Post-feminist Generation, The New York Times.
 Genz, Stéphanie, and Benjamin A. Brabon (2009), Postfeminism: Cultural Texts and Theories, Edinburgh University Press.
Engels, Frederic, and Lewis H. Morgan (1942), The Origin of the Family. Burmon Publishing House, Calcutta.
Gamble, Sarah (2003), The Routledge Critical Dictionary of Feminism and Post-feminism, Routledge, New York.
Pollard Adam (2011), From Bollywood to Tollywood (Via, Kollywood, Mollywood & Sandalwood), UK India Business Council, India.
Warren, Karen J. Feminist Environmental Philosophy. Stanford Encyclopedia of Philosophy, Karen J. Warren, 29 Aug. 2014,

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History

  • Receive Date: 20 August 2022
  • Revise Date: 07 September 2022
  • Accept Date: 21 September 2022

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